February 25, 2026
Color Grading the Night
Exploring how to map the harsh sodium vapor lights of the city grid into the cool, atmospheric cyan and magenta tones using Lightroom curves and split toning techniques...
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Thoughts on editing, locations, and the visual process.
January 12, 2026
Why the 50mm f/1.2 is Essential for Car Meets
When you are shooting chaotic underground meets with mixed lighting, absolute subject isolation is the only way to cut through the visual noise and tell the machine's story...
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